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Funny People

Funny People

Comedy · Drama · 2009

Famous and wealthy funnyman George Simmons doesn't give much thought to how he treats people until a doctor delivers stunning health news, forcing George to reevaluate his priorities with a little help from aspiring stand-up comic Ira.

Movie details

Funny People

“George Simmons was prepared to die, but then a funny thing happened.”

2009 Comedy · Drama 2h 26m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Famous and wealthy funnyman George Simmons doesn't give much thought to how he treats people until a doctor delivers stunning health news, forcing George to reevaluate his priorities with a little help from aspiring stand-up comic Ira.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Funny People?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Judd Apatow

Written by

Judd Apatow

Adam Sandler

Adam Sandler

George Simmons

Seth Rogen

Seth Rogen

Ira Wright

Leslie Mann

Leslie Mann

Laura

Eric Bana

Eric Bana

Clarke

Jonah Hill

Jonah Hill

Leo Koenig

Jason Schwartzman

Jason Schwartzman

Mark Taylor Jackson

Aubrey Plaza

Aubrey Plaza

Daisy Danby

Court is in session

Put Funny People on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.