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009-1: The End of the Beginning

009-1: The End of the Beginning

Action · Science Fiction · Crime · 2013

In a universe where the Cold War never ended and growing conflicts result in the rapid advancement of technological warfare, the cyborg spy Mylene Hoffman of the 00 Organization battles the agents of the Eastern block in a game of high tech espionage.

Movie details

009-1: The End of the Beginning

“She was forced to become the perfect killing machine with a heart of steel.”

2013 Action · Science Fiction · Crime 1h 25m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

In a universe where the Cold War never ended and growing conflicts result in the rapid advancement of technological warfare, the cyborg spy Mylene Hoffman of the 00 Organization battles the agents of the Eastern block in a game of high tech espionage.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 009-1: The End of the Beginning?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Koichi Sakamoto

Written by

Keiichi Hasegawa

Mayuko Iwasa

Mayuko Iwasa

Cyborg 009-1 / Mylene Hoffman

Minehiro Kinomoto

Minehiro Kinomoto

Chris / Paul Hoffman

Nao Nagasawa

Nao Nagasawa

Miriam

Mao Ichimichi

Mao Ichimichi

Cherine

Aya Sugimoto

Aya Sugimoto

Dr. Klein

Naoto Takenaka

Naoto Takenaka

020, Boss of Agent 009-1

Mami Abe

Mami Abe

020's Secretary

Court is in session

Put 009-1: The End of the Beginning on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.