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Battle Angel

Battle Angel

Animation · Action · Science Fiction · 1993

In his travels as a bounty hunter, Hunter–Warrior and cyborg healer Ido one day discovers and repairs the remnants of a cyborg whom he names Gally. Though possessing the body of a young woman, Gally now embodies Ido's most sophisticated and lethal cybernetic skills. The preternaturally strong, amnesiac Gally begins to forge a life for herself in a world where every day is a struggle for survival.

Movie details

Battle Angel

“Angel to one, death to the rest.”

1993 Animation · Action · Science Fiction 54m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

In his travels as a bounty hunter, Hunter–Warrior and cyborg healer Ido one day discovers and repairs the remnants of a cyborg whom he names Gally. Though possessing the body of a young woman, Gally now embodies Ido's most sophisticated and lethal cybernetic skills. The preternaturally strong, amnesiac Gally begins to forge a life for herself in a world where every day is a struggle for survival.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Battle Angel?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Hiroshi Fukutomi

Written by

Akinori Endo

Miki Ito

Miki Ito

Gally (voice)

Shunsuke Kariya

Shunsuke Kariya

Daisuke Ido (voice)

Kappei Yamaguchi

Kappei Yamaguchi

Yūgo (voice)

Mami Koyama

Mami Koyama

Chiren (voice)

Shigeru Chiba

Shigeru Chiba

Vector (voice)

Ryuuzaburou Ootomo

Ryuuzaburou Ootomo

Grewcica (voice)

Kazuhiko Kishino

Kazuhiko Kishino

Gonz (voice)

Court is in session

Put Battle Angel on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.