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Nymphomaniac: Vol. I

Nymphomaniac: Vol. I

Drama · 2013

A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.

Movie details

Nymphomaniac: Vol. I

“Forget about love.”

2013 Drama 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Nymphomaniac: Vol. I?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Auto Focus

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Names above the title

The people responsible.

Directed by

Lars von Trier

Written by

Lars von Trier

Charlotte Gainsbourg

Charlotte Gainsbourg

Joe

Stellan Skarsgård

Stellan Skarsgård

Seligman

Stacy Martin

Stacy Martin

Young Joe

Shia LaBeouf

Shia LaBeouf

Jerôme

Christian Slater

Christian Slater

Joe's Father

Uma Thurman

Uma Thurman

Mrs. H

Sophie Kennedy Clark

Sophie Kennedy Clark

B

Court is in session

Put Nymphomaniac: Vol. I on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.