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Spanglish

Spanglish

Drama · Comedy · 2004

Mexican immigrant and single mother Flor Moreno finds housekeeping work with Deborah and John Clasky, a well-off couple with two children of their own. When Flor admits she can't handle the schedule because of her daughter, Cristina, Deborah decides they should move into the Clasky home. Cultures clash and tensions run high as Flor and the Claskys struggle to share space while raising their children on their own, and very different, terms.

Movie details

Spanglish

“Every family has a hero.”

2004 Drama · Comedy 2h 10m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Mexican immigrant and single mother Flor Moreno finds housekeeping work with Deborah and John Clasky, a well-off couple with two children of their own. When Flor admits she can't handle the schedule because of her daughter, Cristina, Deborah decides they should move into the Clasky home. Cultures clash and tensions run high as Flor and the Claskys struggle to share space while raising their children on their own, and very different, terms.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Spanglish?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Comedy · 1995

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Where it lives

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Names above the title

The people responsible.

Directed by

James L. Brooks

Written by

James L. Brooks

Adam Sandler

Adam Sandler

John Clasky

Téa Leoni

Téa Leoni

Deborah Clasky

Paz Vega

Paz Vega

Flor Moreno

Cloris Leachman

Cloris Leachman

Evelyn Wright

Shelbie Bruce

Shelbie Bruce

Christina

Sarah Steele

Sarah Steele

Bernice

Ian Hyland

Ian Hyland

Georgie

Court is in session

Put Spanglish on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.