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Imaginary Heroes

Imaginary Heroes

Comedy · Drama · 2004

Matt Travis is good-looking, popular, and his school's best competitive swimmer, so everyone is shocked when he inexplicably commits suicide. As the following year unfolds, each member of his family struggles to recover from the tragedy with mixed results.

Movie details

Imaginary Heroes

“People are never who they seem to be.”

2004 Comedy · Drama 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Matt Travis is good-looking, popular, and his school's best competitive swimmer, so everyone is shocked when he inexplicably commits suicide. As the following year unfolds, each member of his family struggles to recover from the tragedy with mixed results.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Imaginary Heroes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Dan Harris

Written by

Dan Harris

Sigourney Weaver

Sigourney Weaver

Sandy Travis

Emile Hirsch

Emile Hirsch

Tim Travis

Jeff Daniels

Jeff Daniels

Ben Travis

Michelle Williams

Michelle Williams

Penny Travis

Kip Pardue

Kip Pardue

Matt Travis

Deirdre O'Connell

Deirdre O'Connell

Marge Dwyer

Ryan Donowho

Ryan Donowho

Kyle Dwyer

Court is in session

Put Imaginary Heroes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.