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Homeward Bound II: Lost in San Francisco

Homeward Bound II: Lost in San Francisco

Adventure · Comedy · Drama · 1996

When the pets accidentally get separated from their vacationing owners, Chance, Shadow, and Sassy navigate the mean streets of San Francisco, trying to find their home across the Golden Gate Bridge. But the road is blocked by a series of hazards, both man and beast.

Movie details

Homeward Bound II: Lost in San Francisco

“Your favorite talking animals are back!”

1996 Adventure · Comedy · Drama 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

When the pets accidentally get separated from their vacationing owners, Chance, Shadow, and Sassy navigate the mean streets of San Francisco, trying to find their home across the Golden Gate Bridge. But the road is blocked by a series of hazards, both man and beast.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Homeward Bound II: Lost in San Francisco?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David R. Ellis

Written by

Julie Hickson · Chris Hauty

Michael J. Fox

Michael J. Fox

Chance (voice)

Sally Field

Sally Field

Sassy (voice)

Ralph Waite

Ralph Waite

Shadow (voice)

Robert Hays

Robert Hays

Bob Seaver

Kim Greist

Kim Greist

Laura Burnford-Seaver

Michael Bell

Michael Bell

Stokey (voice)

Tisha Campbell

Tisha Campbell

Sledge (voice)

Court is in session

Put Homeward Bound II: Lost in San Francisco on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.