Back to trending
The Fox and the Hound

The Fox and the Hound

Adventure · Animation · Drama · 1981

When a feisty little fox named Tod is adopted into a farm family, he quickly becomes friends with a fun and adorable hound puppy named Copper. Life is full of hilarious adventures until Copper is expected to take on his role as a hunting dog -- and the object of his search is his best friend!

Movie details

The Fox and the Hound

“A story of two friends who didn't know they were supposed to be enemies.”

1981 Adventure · Animation · Drama 1h 22m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

When a feisty little fox named Tod is adopted into a farm family, he quickly becomes friends with a fun and adorable hound puppy named Copper. Life is full of hilarious adventures until Copper is expected to take on his role as a hunting dog -- and the object of his search is his best friend!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Fox and the Hound?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Richard Rich · Art Stevens · Ted Berman

Written by

Burny Mattinson · David Michener · Vance Gerry · Ted Berman

Mickey Rooney

Mickey Rooney

Tod (voice)

Kurt Russell

Kurt Russell

Copper (voice)

Pearl Bailey

Pearl Bailey

Big Mama (voice)

Jack Albertson

Jack Albertson

Amos Slade (voice)

Sandy Duncan

Sandy Duncan

Vixey (voice)

Jeanette Nolan

Jeanette Nolan

Widow Tweed (voice)

Pat Buttram

Pat Buttram

Chief (voice)

Court is in session

Put The Fox and the Hound on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.