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Head Over Heels

Head Over Heels

Romance · Comedy · 2001

Ordinary single girl Amanda Pierce unexpectedly finds herself sharing an awesome Manhattan apartment with four sexy supermodels. Determined to bring Amanda into their world, the models give her the ultimate makeover. The plan works fabulously as Amanda connects with next door charmer Jim Winston. That is, until one night while spying on him, Amanda thinks she sees the man of her dreams committing a cold blooded crime.

Movie details

Head Over Heels

“Unleash your inner model.”

2001 Romance · Comedy 1h 27m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Ordinary single girl Amanda Pierce unexpectedly finds herself sharing an awesome Manhattan apartment with four sexy supermodels. Determined to bring Amanda into their world, the models give her the ultimate makeover. The plan works fabulously as Amanda connects with next door charmer Jim Winston. That is, until one night while spying on him, Amanda thinks she sees the man of her dreams committing a cold blooded crime.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Head Over Heels?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mark Waters

Written by

John J. Strauss · Ed Decter · Ron Burch · David Kidd

Monica Potter

Monica Potter

Amanda Pierce

Freddie Prinze Jr.

Freddie Prinze Jr.

Jim Winston

Shalom Harlow

Shalom Harlow

Jade

Ivana Miličević

Ivana Miličević

Roxana

Sarah Murdoch

Sarah Murdoch

Candy

Tomiko Fraser

Tomiko Fraser

Holly

China Chow

China Chow

Lisa

Court is in session

Put Head Over Heels on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.