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The War of the Roses

The War of the Roses

Comedy · Drama · 1989

Barbara and Oliver Rose live happily as a married couple. When Barbara starts to wonder what life would be like without Oliver and likes what she sees, the two begin a campaign to force each other to leave their house, with their divorce lawyer D'Amato caught in the middle.

Movie details

The War of the Roses

“Once in a lifetime comes a motion picture that makes you feel like falling in love all over again. This is not that movie.”

1989 Comedy · Drama 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Barbara and Oliver Rose live happily as a married couple. When Barbara starts to wonder what life would be like without Oliver and likes what she sees, the two begin a campaign to force each other to leave their house, with their divorce lawyer D'Amato caught in the middle.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The War of the Roses?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Danny DeVito

Written by

Michael J. Leeson

Michael Douglas

Michael Douglas

Oliver Rose

Kathleen Turner

Kathleen Turner

Barbara Rose

Danny DeVito

Danny DeVito

Gavin D'Amato

Marianne Sägebrecht

Marianne Sägebrecht

Susan

Sean Astin

Sean Astin

Josh at 17

Heather Fairfield

Heather Fairfield

Carolyn at 17

G.D. Spradlin

G.D. Spradlin

Harry Thurmont

Court is in session

Put The War of the Roses on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.