“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The War of the Roses
Comedy · Drama · 1989
Barbara and Oliver Rose live happily as a married couple. When Barbara starts to wonder what life would be like without Oliver and likes what she sees, the two begin a campaign to force each other to leave their house, with their divorce lawyer D'Amato caught in the middle.
The War of the Roses
“Once in a lifetime comes a motion picture that makes you feel like falling in love all over again. This is not that movie.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
Barbara and Oliver Rose live happily as a married couple. When Barbara starts to wonder what life would be like without Oliver and likes what she sees, the two begin a campaign to force each other to leave their house, with their divorce lawyer D'Amato caught in the middle.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The War of the Roses?
The Prestige Tourist
“You like your greatness pre-approved.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Danny DeVito
Written by
Michael J. Leeson
Put The War of the Roses on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






