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Lady Snowblood

Lady Snowblood

Action · Crime · Drama · 1973

A strikingly beautiful young woman is trained from birth to be a deadly instrument of revenge against the swindlers who destroyed her family.

Movie details

Lady Snowblood

1973 Action · Crime · Drama 1h 37m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

A strikingly beautiful young woman is trained from birth to be a deadly instrument of revenge against the swindlers who destroyed her family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lady Snowblood?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Branded to Kill

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After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.

Demon City

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Framed for his family's murder and left for dead, an ex-hitman will stop at nothing to exact revenge on the masked "demons" who have taken over his city.

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Sex and Fury

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Sex & Fury chronicles Ocho's exploits as she searches for her father's killers, each identified by unique tattoos on their backs (a deer, a boar, and a butterfly). Along the way, she also crosses paths with Shunosuke, a radical set on murdering prominent politician Kurokawa, and Christina, an American spy posing as a gambler.

Where it lives

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Names above the title

The people responsible.

Directed by

Toshiya Fujita

Written by

Norio Osada

Meiko Kaji

Meiko Kaji

Yuki Kashima

Toshio Kurosawa

Toshio Kurosawa

Ryūrei Ashio

Masaaki Daimon

Masaaki Daimon

Gō Kashima

Miyoko Akaza

Miyoko Akaza

Sayo Kashima

S

Shinichi Uchida

Shirô Kashima

Takeo Chii

Takeo Chii

Tokuichi Shôkei

Noboru Nakaya

Noboru Nakaya

Banzô Takemura

Court is in session

Put Lady Snowblood on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.