“Momentum is a formal choice.”
The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

Lupin the Third: Jigen's Gravestone
Animation · Adventure · Action · 2014
Lupin & Jigen have their sights set on a treasure called the Little Comet, which is located in the heavily fortified country of East Doroa. During the heist, Jigen is almost killed by a sniper named Yael Okuzaki. His specialty is preparing tombstones for his targets before executing them. It's said that no one can survive after Yael makes their tombstone.
Lupin the Third: Jigen's Gravestone
“Here lies Daisuke Jigen with .357 Magnum died 1st Apr, 19... Rest in peace.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.4 / 10
Community rating
Lupin & Jigen have their sights set on a treasure called the Little Comet, which is located in the heavily fortified country of East Doroa. During the heist, Jigen is almost killed by a sniper named Yael Okuzaki. His specialty is preparing tombstones for his targets before executing them. It's said that no one can survive after Yael makes their tombstone.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Lupin the Third: Jigen's Gravestone?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Takeshi Koike
Written by
Yuya Takahashi
Put Lupin the Third: Jigen's Gravestone on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Speed as an alibi.”
The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.






