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Ghost Story

Ghost Story

Horror · Drama · Thriller · 1981

Four successful elderly gentlemen, members of the Chowder Society, share a gruesome, 50-year-old secret. When one of Edward Wanderley's twin sons dies in a bizarre accident, the group begins to see a pattern of frightening events developing.

Movie details

Ghost Story

“The Time Has Come to Tell the Tale”

1981 Horror · Drama · Thriller 1h 50m

Critical arithmetic

The consensus, allegedly.

IMDb

6.3 / 10

10.4K votes

Rotten Tomatoes

28 %

Tomatometer

TMDB

6.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Four successful elderly gentlemen, members of the Chowder Society, share a gruesome, 50-year-old secret. When one of Edward Wanderley's twin sons dies in a bizarre accident, the group begins to see a pattern of frightening events developing.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ghost Story?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

John Irvin

Written by

Lawrence D. Cohen

Fred Astaire

Fred Astaire

Ricky Hawthorne

Melvyn Douglas

Melvyn Douglas

John Jaffrey

Douglas Fairbanks Jr.

Douglas Fairbanks Jr.

Edward Wanderley

John Houseman

John Houseman

Sears James

Craig Wasson

Craig Wasson

Don / David

Patricia Neal

Patricia Neal

Stella

Alice Krige

Alice Krige

Eva / Alma

Court is in session

Put Ghost Story on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.