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The Second Renaissance Part I

The Second Renaissance Part I

Science Fiction · Animation · 2003

Tells the early history of how conflict began between the humans and machines. Part 1 of 2.

Movie details

The Second Renaissance Part I

2003 Science Fiction · Animation 9m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Tells the early history of how conflict began between the humans and machines. Part 1 of 2.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Second Renaissance Part I?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

The Second Renaissance Part II

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Wonder Woman: Bloodlines

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Witness the legendary origin of renowned Justice League member Wonder Woman as she fights for good with her sword and magic lasso. Equally strong in body, heart and will, she makes it her mission to help a troubled young girl enlisted by a deadly organization known as Villainy, Inc., whose criminal members have their sights set on invading Themyscira, Wonder Woman’s paradise home. The battle will be epic, because if there's one thing an Amazon knows, it’s war!

Matriculated

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The Death of Superman

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I Am Mother

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Names above the title

The people responsible.

Directed by

Mahiro Maeda

Written by

Lilly Wachowski · Lana Wachowski

Julia Fletcher

Julia Fletcher

The Instructor (voice)

D

Dane A. Davis

01 Versatran Spokesman (voice)

Debi Derryberry

Debi Derryberry

Kid (voice)

Jill Talley

Jill Talley

Mother (voice) / Additional Voices (voice)

Dwight Schultz

Dwight Schultz

Additional Voices (voice)

James Arnold Taylor

James Arnold Taylor

Additional Voices (voice)

Court is in session

Put The Second Renaissance Part I on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.