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And Starring Pancho Villa as Himself

And Starring Pancho Villa as Himself

Drama · History · War · 2003

In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.

Movie details

And Starring Pancho Villa as Himself

2003 Drama · History · War 1h 52m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

3.8K votes

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over And Starring Pancho Villa as Himself?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

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Names above the title

The people responsible.

Directed by

Bruce Beresford

Written by

Larry Gelbart

Antonio Banderas

Antonio Banderas

Pancho Villa

Eion Bailey

Eion Bailey

Frank Thayer

Alan Arkin

Alan Arkin

Sam Drebben

Jim Broadbent

Jim Broadbent

Harry Aitken

Matt Day

Matt Day

John Reed

Michael McKean

Michael McKean

William Christy Cabanne

Kyle Chandler

Kyle Chandler

Raoul Walsh

Court is in session

Put And Starring Pancho Villa as Himself on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.