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Spring

Spring

Horror · Romance · Science Fiction · 2014

A young man in a personal tailspin flees the US to Italy, where he sparks up a romance with a woman harboring a dark, primordial secret.

Movie details

Spring

“Love is a monster.”

2014 Horror · Romance · Science Fiction 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

A young man in a personal tailspin flees the US to Italy, where he sparks up a romance with a woman harboring a dark, primordial secret.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Spring?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Return

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A young woman and her fiancé are in search of the perfect starter home. After following a mysterious real estate agent to a new housing development, the couple finds themselves trapped in a maze of identical houses and forced to raise an otherworldly child.

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The Devil Conspiracy

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Books of Blood

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Margaux

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Southbound

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Names above the title

The people responsible.

Directed by

Aaron Moorhead · Justin Benson

Written by

Justin Benson

Lou Taylor Pucci

Lou Taylor Pucci

Evan

Nadia Hilker

Nadia Hilker

Louise

Nick Nevern

Nick Nevern

Thomas

Augie Duke

Augie Duke

Jackie

Jeremy Gardner

Jeremy Gardner

Tommy

Vinny Curran

Vinny Curran

Mike

Holly Hawkins

Holly Hawkins

Nicole Russell

Court is in session

Put Spring on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.