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The Return

The Return

Horror · Science Fiction · 2020

After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren't as dead and gone as he once thought.

Movie details

The Return

“Childhood horrors can kill.”

2020 Horror · Science Fiction 1h 30m

Critical arithmetic

The consensus, allegedly.

IMDb

4.6 / 10

993 votes

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren't as dead and gone as he once thought.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Return?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Year 10

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After the fall of civilization, the few survivors have been driven to cannibalism. A young man must confront a violent tribe that has murdered his father and stolen the medicine that keeps his girlfriend alive.

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Like any other teenage girl, Tara is just surviving high school — yet her father and mother seem strangely distant. Amidst a nearby spree of gruesome ax murders, Tara has sightings of terrifying entities, forcing her to question her own sanity and shocking ancestry.

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The Resurrected

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Southbound

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Where it lives

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Names above the title

The people responsible.

Directed by

BJ Verot

Written by

Ken Janssens · BJ Verot

Richard Harmon

Richard Harmon

Rodger Emmerlich

Sara Thompson

Sara Thompson

Beth Struman

Marina Stephenson Kerr

Marina Stephenson Kerr

Henrietta Cox

Kristen Sawatzky

Kristen Sawatzky

Entity

Erik Athavale

Erik Athavale

Oswald Emmerlich

Echo Porisky

Echo Porisky

Jordan Hasbury

Callie Lane

Callie Lane

Teen Jordan

Court is in session

Put The Return on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.