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A Midnight Clear

A Midnight Clear

Drama · War · History · 1992

In 1944 France, an American Intelligence Squad locates a German Platoon wishing to surrender rather than die in Germany's final war offensive. The two groups of men, isolated from the war at present, put aside their differences and spend Christmas together before the surrender plan turns bad and both sides are forced to fight the other.

Movie details

A Midnight Clear

“At the frontlines of life, near the end of innocence, came the beginning of manhood.”

1992 Drama · War · History 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

In 1944 France, an American Intelligence Squad locates a German Platoon wishing to surrender rather than die in Germany's final war offensive. The two groups of men, isolated from the war at present, put aside their differences and spend Christmas together before the surrender plan turns bad and both sides are forced to fight the other.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Midnight Clear?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Men in War

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The Deer Hunter

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Nightwatching

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Names above the title

The people responsible.

Directed by

Keith Gordon

Written by

Keith Gordon

Peter Berg

Peter Berg

Bud Miller

Kevin Dillon

Kevin Dillon

Mel Avakian

Arye Gross

Arye Gross

Stan Shutzer

Ethan Hawke

Ethan Hawke

Will Knott

Gary Sinise

Gary Sinise

Vance 'Mother' Wilkins

Frank Whaley

Frank Whaley

Paul 'Father' Mundy

John C. McGinley

John C. McGinley

Major Griffin

Court is in session

Put A Midnight Clear on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.