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Flags of Our Fathers

Flags of Our Fathers

War · Drama · History · 2006

There were five Marines and one Navy Corpsman photographed raising the U.S. flag on Mt. Suribachi by Joe Rosenthal on February 23, 1945. This is the story of three of the six surviving servicemen - John 'Doc' Bradley, Pvt. Rene Gagnon and Pvt. Ira Hayes - who fought in the battle to take Iwo Jima from the Japanese.

Movie details

Flags of Our Fathers

“A single shot can end the war.”

2006 War · Drama · History 2h 15m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

133.2K votes

Rotten Tomatoes

76 %

Tomatometer

Metacritic

79 / 100

Metascore

TMDB

6.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

There were five Marines and one Navy Corpsman photographed raising the U.S. flag on Mt. Suribachi by Joe Rosenthal on February 23, 1945. This is the story of three of the six surviving servicemen - John 'Doc' Bradley, Pvt. Rene Gagnon and Pvt. Ira Hayes - who fought in the battle to take Iwo Jima from the Japanese.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Flags of Our Fathers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Clint Eastwood

Written by

Paul Haggis · William Broyles Jr.

Ryan Phillippe

Ryan Phillippe

John 'Doc' Bradley

Jesse Bradford

Jesse Bradford

Rene Gagnon

Adam Beach

Adam Beach

Ira Hayes

John Benjamin Hickey

John Benjamin Hickey

Keyes Beech

John Slattery

John Slattery

Bud Gerber

Barry Pepper

Barry Pepper

Mike Strank

Jamie Bell

Jamie Bell

Ralph "Iggy" Ignatowski

Court is in session

Put Flags of Our Fathers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.