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Second Chorus

Second Chorus

Comedy · Romance · 1941

Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.

Movie details

Second Chorus

“They're the tip-tops in toe-taps!”

1941 Comedy · Romance 1h 24m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Second Chorus?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

H. C. Potter

Written by

Frank Cavett · Elaine Ryan · Ian McLellan Hunter · Ben Hecht

Fred Astaire

Fred Astaire

Danny O'Neill

Paulette Goddard

Paulette Goddard

Ellen Miller

Artie Shaw

Artie Shaw

Artie Shaw

Charles Butterworth

Charles Butterworth

Mr. Chisholm

Burgess Meredith

Burgess Meredith

Hank Taylor

Frank Melton

Frank Melton

Stu

Jimmy Conlin

Jimmy Conlin

Mr. Dunn

Court is in session

Put Second Chorus on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.