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10 Items or Less

10 Items or Less

Comedy · Drama · 2006

An actor who is considering the role of a supermarket manager arrives at a grocery store on the outskirts of Los Angeles to do some field research. He subsequently becomes stranded, without a car or cell phone, and accepts a ride home with Scarlet, a cashier who is about to interview for a new job. The actor rediscovers the essence of his craft while helping Scarlet gain the confidence she needs to change her life.

Movie details

10 Items or Less

“Sometimes in life you have to change lanes.”

2006 Comedy · Drama 1h 21m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

An actor who is considering the role of a supermarket manager arrives at a grocery store on the outskirts of Los Angeles to do some field research. He subsequently becomes stranded, without a car or cell phone, and accepts a ride home with Scarlet, a cashier who is about to interview for a new job. The actor rediscovers the essence of his craft while helping Scarlet gain the confidence she needs to change her life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 10 Items or Less?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Kings of Summer

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Names above the title

The people responsible.

Directed by

Brad Silberling

Written by

Brad Silberling

Morgan Freeman

Morgan Freeman

'Him'

Paz Vega

Paz Vega

Scarlet

Jonah Hill

Jonah Hill

Packy

Bobby Cannavale

Bobby Cannavale

Bobby

Anne Dudek

Anne Dudek

Lorraine

Jennifer Echols

Jennifer Echols

Tracey with an 'E'

Leonardo Nam

Leonardo Nam

Kid at Target

Court is in session

Put 10 Items or Less on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.