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Dorian Gray

Dorian Gray

Fantasy · Drama · Thriller · 2009

Seduced into the decadent world of Lord Henry Wotton, handsome young aristocrat Dorian Gray becomes obsessed with maintaining his youthful appearance, and commissions a special portrait that will weather the winds of time while he remains forever young. When Gray's obsession spirals out of control, his desperate attempts to safeguard his secret turn his once-privileged life into a living hell.

Movie details

Dorian Gray

“Forever Young. Forever Cursed.”

2009 Fantasy · Drama · Thriller 1h 52m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Seduced into the decadent world of Lord Henry Wotton, handsome young aristocrat Dorian Gray becomes obsessed with maintaining his youthful appearance, and commissions a special portrait that will weather the winds of time while he remains forever young. When Gray's obsession spirals out of control, his desperate attempts to safeguard his secret turn his once-privileged life into a living hell.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dorian Gray?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Oliver Parker

Written by

Toby Finlay

Ben Barnes

Ben Barnes

Dorian Gray

Colin Firth

Colin Firth

Lord Henry Wotton

Rebecca Hall

Rebecca Hall

Emily Wotton

Emilia Fox

Emilia Fox

Lady Victoria Wotton

Ben Chaplin

Ben Chaplin

Basil Hallward

Fiona Shaw

Fiona Shaw

Agatha

Caroline Goodall

Caroline Goodall

Lady Radly

Court is in session

Put Dorian Gray on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.