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Beat the Devil

Beat the Devil

Adventure · Comedy · Crime · 1953

A group of con artists stake their claim on a bogus uranium mine.

Movie details

Beat the Devil

“They’re Out To Beat the Devil At His Own Game!”

1953 Adventure · Comedy · Crime 1h 35m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

10.7K votes

Rotten Tomatoes

68 %

Tomatometer

TMDB

6.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A group of con artists stake their claim on a bogus uranium mine.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Beat the Devil?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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After Dick Harper loses his job at Globodyne in an Enron-esque collapse, he and his wife, Jane, turn to crime in order to handle the massive debt they now face. Two intelligent people, Dick and Jane actually get pretty good at robbing people and even enjoy it – but they have second thoughts when they're reminded that crime can hurt innocent people. When the couple hears that Globodyne boss Jack McCallister actually swindled the company, they plot revenge.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

John Huston

Written by

Truman Capote · John Huston

Humphrey Bogart

Humphrey Bogart

Billy Dannreuther

Jennifer Jones

Jennifer Jones

Gwendolen Chelm

Gina Lollobrigida

Gina Lollobrigida

Maria Dannreuther

Robert Morley

Robert Morley

Peterson

Peter Lorre

Peter Lorre

Julius O'Hara

Edward Underdown

Edward Underdown

Harry Chelm

Ivor Barnard

Ivor Barnard

Maj. Jack Ross

Court is in session

Put Beat the Devil on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Auteur Devotee

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.