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The King and the Mockingbird

The King and the Mockingbird

Animation · Family · Fantasy · 1980

A young shepherdess and a chimneysweep plan to get married and escape the clutches of a tyrannical king in love with her, assisted by the guile of a cheeky mockingbird, the king's archenemy.

Movie details

The King and the Mockingbird

1980 Animation · Family · Fantasy 1h 23m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

A young shepherdess and a chimneysweep plan to get married and escape the clutches of a tyrannical king in love with her, assisted by the guile of a cheeky mockingbird, the king's archenemy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The King and the Mockingbird?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul Grimault

Written by

Jacques Prévert · Paul Grimault

Jean Martin

Jean Martin

L’oiseau (voice)

Renaud Marx

Renaud Marx

Le ramoneur (voice)

A

Agnès Viala

La bergère (voice)

Pascal Mazzotti

Pascal Mazzotti

Le roi (voice)

Albert Médina

Albert Médina

Le belluaire / Le haut hurleur (voice)

P

Philippe Derrez

Le liftier / Le speaker (voice)

Raymond Bussières

Raymond Bussières

Le chef de la police (voice)

Court is in session

Put The King and the Mockingbird on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.