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Rosewater

Rosewater

Drama · 2014

In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran's volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn't like it - and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison.

Movie details

Rosewater

2014 Drama 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran's volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn't like it - and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rosewater?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jon Stewart

Written by

Maziar Bahari · Aimee Molloy · Jon Stewart

Gael García Bernal

Gael García Bernal

Maziar Bahari

Shohreh Aghdashloo

Shohreh Aghdashloo

Moloojoon

Kim Bodnia

Kim Bodnia

Javadi (Rosewater)

Claire Foy

Claire Foy

Paola

Haluk Bilginer

Haluk Bilginer

Baba Akbar

Golshifteh Farahani

Golshifteh Farahani

Maryam

Nasser Faris

Nasser Faris

Haj Agha

Court is in session

Put Rosewater on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.