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Nothing but the Truth

Nothing but the Truth

Drama · Thriller · 2008

When reporter Rachel Armstrong writes a story that reveals the identity of a covert CIA operative, the government demands that Rachel reveal her source. She defies the special prosecutor and is thrown in jail. Meanwhile, her attorney, Albert Burnside argues her case all the way to the U.S. Supreme Court.

Movie details

Nothing but the Truth

“Don't Reveal the Source.”

2008 Drama · Thriller 1h 48m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

40.8K votes

Metacritic

64 / 100

Metascore

TMDB

6.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

When reporter Rachel Armstrong writes a story that reveals the identity of a covert CIA operative, the government demands that Rachel reveal her source. She defies the special prosecutor and is thrown in jail. Meanwhile, her attorney, Albert Burnside argues her case all the way to the U.S. Supreme Court.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Nothing but the Truth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Rod Lurie

Written by

Rod Lurie

Kate Beckinsale

Kate Beckinsale

Rachel Armstrong

Matt Dillon

Matt Dillon

Patton Dubois

Angela Bassett

Angela Bassett

Bonnie Benjamin

Alan Alda

Alan Alda

Alan Burnside

Vera Farmiga

Vera Farmiga

Erica van Doren

David Schwimmer

David Schwimmer

Ray Armstrong

Courtney B. Vance

Courtney B. Vance

Agent O'Hara

Court is in session

Put Nothing but the Truth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.