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Blood and Bones

Blood and Bones

Drama · 2004

In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.

Movie details

Blood and Bones

2004 Drama 2h 24m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

2.2K votes

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blood and Bones?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Yōichi Sai

Written by

Yōichi Sai · Wishing Chong

Takeshi Kitano

Takeshi Kitano

Joon-pyong Kim

Hirofumi Arai

Hirofumi Arai

Masao Kim

Kyoka Suzuki

Kyoka Suzuki

Yong-hee Lee

Joe Odagiri

Joe Odagiri

Takeshi Park

Yutaka Matsushige

Yutaka Matsushige

Nobuyoshi Ko

Tomoko Tabata

Tomoko Tabata

Hanako Kim

Mari Hamada

Mari Hamada

Sadako Toritani

Court is in session

Put Blood and Bones on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.