“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

Neon Genesis Evangelion: Death and Rebirth
Animation · Drama · Science Fiction · 1997
Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.
Neon Genesis Evangelion: Death and Rebirth
“Welcome to the apocalypse.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.4 / 10
Community rating
Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Neon Genesis Evangelion: Death and Rebirth?
The Auteur Devotee
“You watch the director, not the movie.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Hideaki Anno · Kazuya Tsurumaki · Masayuki
Written by
Akio Satsukawa · Mitsuo Iso · Hideaki Anno · Hiroshi Yamaguchi
Put Neon Genesis Evangelion: Death and Rebirth on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.






