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Ghost in the Shell: S.A.C. 2nd GIG - Individual Eleven

Ghost in the Shell: S.A.C. 2nd GIG - Individual Eleven

Animation · Science Fiction · 2006

The year is 2030, and an influx of refuges have effortlessly transformed themselves into a terrorist organization known as the "Individual Eleven." With a sadistic intent of mass destruction, will they triumph in victory or discover the gloomy pitfalls of defeat?

Movie details

Ghost in the Shell: S.A.C. 2nd GIG - Individual Eleven

2006 Animation · Science Fiction 2h 41m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

The year is 2030, and an influx of refuges have effortlessly transformed themselves into a terrorist organization known as the "Individual Eleven." With a sadistic intent of mass destruction, will they triumph in victory or discover the gloomy pitfalls of defeat?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ghost in the Shell: S.A.C. 2nd GIG - Individual Eleven?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Kenji Kamiyama

Written by

Dai Sato · Yutaka Omatsu · Taiki Sakurai · Yuichiro Matsuka

Atsuko Tanaka

Atsuko Tanaka

Motoko Kusanagi (voice)

Osamu Saka

Osamu Saka

Daisuke Aramaki (voice)

Koichi Yamadera

Koichi Yamadera

Togusa (voice)

Rikiya Koyama

Rikiya Koyama

Hideo Kuze (voice)

Takashi Onozuka

Takashi Onozuka

Paz (voice)

Taro Yamaguchi

Taro Yamaguchi

Borma (voice)

Toru Okawa

Toru Okawa

Saito (voice)

Court is in session

Put Ghost in the Shell: S.A.C. 2nd GIG - Individual Eleven on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.