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Intimate Strangers

Intimate Strangers

Drama · Romance · 2004

Because she picked the wrong door, Anna ends up confessing her marriage problems to a financial adviser named William Faber. Touched by her distress, somewhat excited as well, Faber does not have the courage to tell her that he is not a psychiatrist. From appointment to appointment, a strange ritual is created between them. William is moved and fascinated to hear the secrets no man ever heard.

Movie details

Intimate Strangers

2004 Drama · Romance 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Because she picked the wrong door, Anna ends up confessing her marriage problems to a financial adviser named William Faber. Touched by her distress, somewhat excited as well, Faber does not have the courage to tell her that he is not a psychiatrist. From appointment to appointment, a strange ritual is created between them. William is moved and fascinated to hear the secrets no man ever heard.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Intimate Strangers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Patrice Leconte

Written by

Jérôme Tonnerre

Sandrine Bonnaire

Sandrine Bonnaire

Anna

Fabrice Luchini

Fabrice Luchini

William

Michel Duchaussoy

Michel Duchaussoy

Dr. Monnier

Anne Brochet

Anne Brochet

Jean

Gilbert Melki

Gilbert Melki

Marc

Laurent Gamelon

Laurent Gamelon

Luc

Hélène Surgère

Hélène Surgère

Mrs. Mulon

Court is in session

Put Intimate Strangers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.