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Days of Thunder

Days of Thunder

Adventure · Action · Drama · 1990

Talented but unproven stock car driver Cole Trickle gets a break and with the guidance of veteran Harry Hogge turns heads on the track. The young hotshot develops a rivalry with a fellow racer that threatens his career when the two smash their cars. But with the help of his doctor, Cole just might overcome his injuries-- and his fear.

Movie details

Days of Thunder

“You can't outrun the thunder.”

1990 Adventure · Action · Drama 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Talented but unproven stock car driver Cole Trickle gets a break and with the guidance of veteran Harry Hogge turns heads on the track. The young hotshot develops a rivalry with a fellow racer that threatens his career when the two smash their cars. But with the help of his doctor, Cole just might overcome his injuries-- and his fear.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Days of Thunder?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Tony Scott

Written by

Robert Towne · Tom Cruise

Tom Cruise

Tom Cruise

Cole Trickle

Robert Duvall

Robert Duvall

Harry Hogge

Nicole Kidman

Nicole Kidman

Dr. Claire Lewicki

Randy Quaid

Randy Quaid

Tim Dalander

Cary Elwes

Cary Elwes

Russ Wheeler

Michael Rooker

Michael Rooker

Rowdy Burns

Fred Thompson

Fred Thompson

Big John

Court is in session

Put Days of Thunder on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.