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Over the Top

Over the Top

Action · Drama · 1987

Lincoln Hawk a hard-luck big-rig trucker takes us under the glaring Las Vegas lights for all the boisterous action of the World Armwrestling Championship. Relying on wits and willpower, Hawk tries to rebuild his life by capturing the first-place prize money, and the love of the son he abandoned years earlier into the keeping of his rich, ruthless father-in-law.

Movie details

Over the Top

“Some fight for money... Some fight for glory... He's fighting for his son's love.”

1987 Action · Drama 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Lincoln Hawk a hard-luck big-rig trucker takes us under the glaring Las Vegas lights for all the boisterous action of the World Armwrestling Championship. Relying on wits and willpower, Hawk tries to rebuild his life by capturing the first-place prize money, and the love of the son he abandoned years earlier into the keeping of his rich, ruthless father-in-law.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Over the Top?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Menahem Golan

Written by

Stirling Silliphant · Sylvester Stallone · Gary Conway · David Engelbach

Sylvester Stallone

Sylvester Stallone

Lincoln Hawk

Robert Loggia

Robert Loggia

Jason Cutler

Susan Blakely

Susan Blakely

Christina Hawk

Rick Zumwalt

Rick Zumwalt

Bob "Bull" Hurley

David Mendenhall

David Mendenhall

Michael Cutler/Michael Hawk

Chris McCarty

Chris McCarty

Tim Salanger

Terry Funk

Terry Funk

Ruker

Court is in session

Put Over the Top on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.