“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Viva Las Vegas
Music · Romance · Comedy · 1964
Lucky Jackson arrives in Las Vegas with his car literally in tow ready for the first Grand Prix — once he has the money for an engine. He gets the cash easily enough but mislays it when the pretty pool manageress takes his mind off things. It seems he'll lose both race and girl, problems complicated by rivalry from womanizing fellow racer Elmo Mancini.
Viva Las Vegas
“Elvis is at the wheel but Ann-Margret drives him wild!”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.4 / 10
10.2K votes
Rotten Tomatoes
86 %
Tomatometer
Metacritic
69 / 100
Metascore
TMDB
6.1 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Lucky Jackson arrives in Las Vegas with his car literally in tow ready for the first Grand Prix — once he has the money for an engine. He gets the cash easily enough but mislays it when the pretty pool manageress takes his mind off things. It seems he'll lose both race and girl, problems complicated by rivalry from womanizing fellow racer Elmo Mancini.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Viva Las Vegas?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
George Sidney
Written by
Sally Benson
Put Viva Las Vegas on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.




