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Jersey Boys

Jersey Boys

Music · Drama · 2014

A musical biopic of the Four Seasons—the rise, the tough times and personal clashes, and the ultimate triumph of a group of friends whose music became symbolic of a generation. Far from a mere tribute concert, it gets to the heart of the relationships at the centre of the group, with a special focus on frontman Frankie Valli, the small kid with the big falsetto.

Movie details

Jersey Boys

“Everybody remembers it how they need to.”

2014 Music · Drama 2h 14m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

A musical biopic of the Four Seasons—the rise, the tough times and personal clashes, and the ultimate triumph of a group of friends whose music became symbolic of a generation. Far from a mere tribute concert, it gets to the heart of the relationships at the centre of the group, with a special focus on frontman Frankie Valli, the small kid with the big falsetto.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jersey Boys?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Clint Eastwood

Written by

Rick Elice · Marshall Brickman

John Lloyd Young

John Lloyd Young

Francis 'Frankie Valli' Castelluccio

Vincent Piazza

Vincent Piazza

Gaetano 'Tommy' DeVito

Michael Lomenda

Michael Lomenda

Nick Massi

Erich Bergen

Erich Bergen

Bob Gaudio

Christopher Walken

Christopher Walken

Angelo 'Gyp' DeCarlo

Mike Doyle

Mike Doyle

Bob Crewe

Joseph Russo

Joseph Russo

Joe 'Joey' Pesci

Court is in session

Put Jersey Boys on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.