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Le Week-End

Le Week-End

Comedy · Drama · 2013

Nick and Meg Burrows return to Paris, the city where they honeymooned, to celebrate their 30th wedding anniversary and rediscover some romance in their long-lived marriage. The film follows the couple as long-established tensions in their marriage break out in humorous and often painful ways.

Movie details

Le Week-End

2013 Comedy · Drama 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Nick and Meg Burrows return to Paris, the city where they honeymooned, to celebrate their 30th wedding anniversary and rediscover some romance in their long-lived marriage. The film follows the couple as long-established tensions in their marriage break out in humorous and often painful ways.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Le Week-End?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Roger Michell

Written by

Hanif Kureishi

Jim Broadbent

Jim Broadbent

Nick Burrows

Lindsay Duncan

Lindsay Duncan

Meg Burrows

Jeff Goldblum

Jeff Goldblum

Morgan

Olly Alexander

Olly Alexander

Michael

B

Brice Beaugier

Robert

Xavier de Guillebon

Xavier de Guillebon

Jean-Pierre Degremont

Marie-France Alvarez

Marie-France Alvarez

Victoire La Chapelle

Court is in session

Put Le Week-End on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.