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Hotel Rwanda

Hotel Rwanda

Drama · History · War · 2004

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

Movie details

Hotel Rwanda

“When the world closed its eyes, he opened his arms.”

2004 Drama · History · War 2h 2m

Critical arithmetic

The consensus, allegedly.

IMDb

8.1 / 10

389.2K votes

Rotten Tomatoes

91 %

Tomatometer

Metacritic

79 / 100

Metascore

TMDB

7.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hotel Rwanda?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Terry George

Written by

Keir Pearson · Terry George

Don Cheadle

Don Cheadle

Paul Rusesabagina

Sophie Okonedo

Sophie Okonedo

Tatiana Rusesabagina

Nick Nolte

Nick Nolte

Colonel Oliver

Fana Mokoena

Fana Mokoena

General Bizimungu

Desmond Dube

Desmond Dube

Dube

Hakeem Kae-Kazim

Hakeem Kae-Kazim

George Rutaganda

Tony Kgoroge

Tony Kgoroge

Gregoire

Court is in session

Put Hotel Rwanda on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.