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The Magnificent One

The Magnificent One

Comedy · Romance · Action · 1973

A writer of pulpy book series in which he's the hero and his beautiful English roommate is the love interest attempts to finish his new book in time at the publisher's demand.

Movie details

The Magnificent One

“THE WRITER'S DREAM, HIS REALITY, AND THE TYPEWRITER IN-BETWEEN”

1973 Comedy · Romance · Action 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

A writer of pulpy book series in which he's the hero and his beautiful English roommate is the love interest attempts to finish his new book in time at the publisher's demand.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Magnificent One?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Disaster strikes when a criminal mastermind reveals the identities of all active undercover agents in Britain. The secret service can now rely on only one man - Johnny English. Currently teaching at a minor prep school, Johnny springs back into action to find the mysterious hacker. For this mission to succeed, he’ll need all of his skills - what few he has - as the man with yesterday’s analogue methods faces off against tomorrow’s digital technology.

Argylle

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Names above the title

The people responsible.

Directed by

Philippe de Broca

Written by

Jean-Paul Rappeneau · Vittorio Caprioli · Francis Veber · Philippe de Broca

Jean-Paul Belmondo

Jean-Paul Belmondo

François Merlin / Bob Saint-Clar

Jacqueline Bisset

Jacqueline Bisset

Christine / Tatiana

Vittorio Caprioli

Vittorio Caprioli

Georges Charron / Colonel Karpov

Hans Meyer

Hans Meyer

Colonel Collins

Monique Tarbès

Monique Tarbès

Mrs. Berger

Mario David

Mario David

Traffic policeman in the rain

Bruno Garcin

Bruno Garcin

Pilu

Court is in session

Put The Magnificent One on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.