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Angelique: The Road to Versailles

Angelique: The Road to Versailles

Adventure · Mystery · Romance · 1965

Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.

Movie details

Angelique: The Road to Versailles

1965 Adventure · Mystery · Romance 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Angelique: The Road to Versailles?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bernard Borderie

Written by

Bernard Borderie · Claude Brulé · Francis Cosne

Michèle Mercier

Michèle Mercier

Angélique de Peyrac

Claude Giraud

Claude Giraud

Philippe de Plessis-Bellières

Jean Rochefort

Jean Rochefort

François Desgrez

Jean-Louis Trintignant

Jean-Louis Trintignant

Claude le Petit, dit Le poète croté

Giuliano Gemma

Giuliano Gemma

Nicolas, alias Calembredaine

Jacques Toja

Jacques Toja

Louis XIV

Robert Porte

Robert Porte

Monsieur, frère du Roi

Court is in session

Put Angelique: The Road to Versailles on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.