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It Came from Outer Space

It Came from Outer Space

Science Fiction · Horror · 1953

Author and amateur astronomer John Putnam and schoolteacher Ellen Fields witness an enormous meteorite come down near a small town in Arizona. Putnam becomes a local object of scorn when, after examining the object up close, he announces that it is a spacecraft, and that it is inhabited...

Movie details

It Came from Outer Space

“Fantastic sights leap out at you!”

1953 Science Fiction · Horror 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Author and amateur astronomer John Putnam and schoolteacher Ellen Fields witness an enormous meteorite come down near a small town in Arizona. Putnam becomes a local object of scorn when, after examining the object up close, he announces that it is a spacecraft, and that it is inhabited...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over It Came from Outer Space?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Tarantula

Tarantula

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A rogue scientist near a small desert town arouses the suspicion of the town's doctor when his lab assistant is found dead from a case of acromegaly, which took only four days to develop. As the doctor investigates, aided by the scientist's new female assistant, they discover that something is devouring local cattle and humans in increasingly large quantities.

The Quatermass Xperiment

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Sci-fi · 1955

The first manned spacecraft, fired from an English launchpad, is lost from radar before roaring back to Earth and crashing in a farmer's field. The rocket is found to contain only one of the three men who took off in it; and he is unable to talk but appears to be undergoing a torturous physical and mental metamorphosis.

The Blob

The Blob

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A drive-in favorite, this sci-fi classic follows teenagers Steve and his best girl, Jane, as they try to protect their hometown from a gelatinous alien life form that engulfs everything it touches. The first to discover the substance and live to tell about it, Steve and Jane witness the blob destroying an elderly man, then it growing to a terrifying size. But no one else has seen the goo, and policeman Dave refuses to believe the kids without proof.

The Monolith Monsters

The Monolith Monsters

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Rocks from a meteor which grow when in contact with water threaten a sleepy Southwestern desert community.

Quatermass and the Pit

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Sci-fi · 1967

A mysterious artifact unearthed below a London Underground station proves to have powerful psychic effects on the people around.

Invaders from Mars

Invaders from Mars

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A boy tries to stop aliens that have taken over his town and are brainwashing its inhabitants.

Cosmos

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Three astronomers accidentally intercept what they believe to be a signal from a distant alien civilization, but the truth is even more incredible than any of them could have imagined.

The Stepford Wives

The Stepford Wives

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Joanna Eberhart comes to the town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.

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Names above the title

The people responsible.

Directed by

Jack Arnold

Written by

Harry Essex · Ray Bradbury

Richard Carlson

Richard Carlson

John Putnam

Barbara Rush

Barbara Rush

Ellen Fields

Charles Drake

Charles Drake

Sheriff Matt Warren

Joe Sawyer

Joe Sawyer

Frank Daylon

Russell Johnson

Russell Johnson

George

Kathleen Hughes

Kathleen Hughes

Jane Dean

Dave Willock

Dave Willock

Pete Davis (uncredited)

Court is in session

Put It Came from Outer Space on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.