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The Arrival

The Arrival

Science Fiction · Thriller · Mystery · 1996

Zane Ziminski is an astrophysicist who receives a message that seems to have extraterrestrial origins. Eerily soon after his discovery, Zane is fired. He then embarks on a search to determine the origins of the transmission that leads him into a Hitchcockian labyrinth of paranoia and intrigue.

Movie details

The Arrival

“The greatest danger facing our world has been the planet's best kept secret... until now.”

1996 Science Fiction · Thriller · Mystery 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Zane Ziminski is an astrophysicist who receives a message that seems to have extraterrestrial origins. Eerily soon after his discovery, Zane is fired. He then embarks on a search to determine the origins of the transmission that leads him into a Hitchcockian labyrinth of paranoia and intrigue.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Arrival?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Xeno

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Names above the title

The people responsible.

Directed by

David Twohy

Written by

David Twohy

Charlie Sheen

Charlie Sheen

Zane Zaminski

Lindsay Crouse

Lindsay Crouse

Ilana Green

Richard Schiff

Richard Schiff

Calvin

Ron Silver

Ron Silver

Gordian

Teri Polo

Teri Polo

Char

Phyllis Applegate

Phyllis Applegate

Mrs. Roosevelt

Tony T. Johnson

Tony T. Johnson

Kiki

Court is in session

Put The Arrival on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.