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Exodus

Exodus

Drama · War · 1960

Ari Ben Canaan, a passionate member of the Jewish paramilitary group Haganah, attempts to transport 600 Jewish refugees on a dangerous voyage from Cyprus to Palestine on a ship named the Exodus. He faces obstruction from British forces, who will not grant the ship passage to its destination.

Movie details

Exodus

“The drama and the passion of one of the epic events of the twentieth century!”

1960 Drama · War 3h 28m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Ari Ben Canaan, a passionate member of the Jewish paramilitary group Haganah, attempts to transport 600 Jewish refugees on a dangerous voyage from Cyprus to Palestine on a ship named the Exodus. He faces obstruction from British forces, who will not grant the ship passage to its destination.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Exodus?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Breaker Morant

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Drama · 1980

During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.

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Names above the title

The people responsible.

Directed by

Otto Preminger

Written by

Dalton Trumbo

Paul Newman

Paul Newman

Ari Ben Canaan

Eva Marie Saint

Eva Marie Saint

Kitty Fremont

Ralph Richardson

Ralph Richardson

Gen. Sutherland

Peter Lawford

Peter Lawford

Maj. Caldwell

Lee J. Cobb

Lee J. Cobb

Barak Ben Canaan

Sal Mineo

Sal Mineo

Dov Landau

John Derek

John Derek

Taha

Court is in session

Put Exodus on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.