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Angel Face

Angel Face

Drama · Crime · 1953

Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.

Movie details

Angel Face

“She loved one man …enough to KILL to get him!”

1953 Drama · Crime 1h 31m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Angel Face?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Semi-true story of the Hollywood murder that occurred at a star-studded gathering aboard William Randolph Hearst's yacht in 1924.

The Lady from Shanghai

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A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

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A police detective's violent nature keeps him from being a good cop.

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Michael Clayton

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The File on Thelma Jordon

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Juror #2

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While serving as a juror in a high profile murder trial, family man Justin Kemp finds himself struggling with a serious moral dilemma…one he could use to sway the jury verdict and potentially convict—or free—the accused killer.

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Names above the title

The people responsible.

Directed by

Otto Preminger

Written by

Frank S. Nugent · Oscar Millard · Chester Erskine · Ben Hecht

Robert Mitchum

Robert Mitchum

Frank Jessup

Jean Simmons

Jean Simmons

Diane Tremayne Jessup

Mona Freeman

Mona Freeman

Mary Wilton

Herbert Marshall

Herbert Marshall

Mr. Charles Tremayne

Leon Ames

Leon Ames

Fred Barrett

Barbara O'Neil

Barbara O'Neil

Mrs. Catherine Tremayne

Kenneth Tobey

Kenneth Tobey

Bill Crompton

Court is in session

Put Angel Face on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.