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The Stone Roses: Made of Stone

The Stone Roses: Made of Stone

Documentary · Music · 2013

A documentary about the English alternative rock band, The Stone Roses. Meadows interweaves archive film, intimate behind-the-scenes footage and never-before-seen material, delivering the definitive account of the band and their music. He was also granted unprecedented access to their rehearsals for the summer 2012 Manchester concerts. A momentous occasion in modern music, these were the first gigs performed by The Stone Roses in 16 years.

Movie details

The Stone Roses: Made of Stone

2013 Documentary · Music 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

A documentary about the English alternative rock band, The Stone Roses. Meadows interweaves archive film, intimate behind-the-scenes footage and never-before-seen material, delivering the definitive account of the band and their music. He was also granted unprecedented access to their rehearsals for the summer 2012 Manchester concerts. A momentous occasion in modern music, these were the first gigs performed by The Stone Roses in 16 years.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Stone Roses: Made of Stone?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Shane Meadows

Ian Brown

Ian Brown

Self

Gary 'Mani' Mounfield

Gary 'Mani' Mounfield

Self

John Squire

John Squire

Self

Alan 'Reni' Wren

Alan 'Reni' Wren

Self

Shane Meadows

Shane Meadows

Self

M

Mark Herbert

Self

Liam Gallagher

Liam Gallagher

Self (uncredited)

Court is in session

Put The Stone Roses: Made of Stone on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.