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Gimme Shelter

Gimme Shelter

Documentary · Music · 1970

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Movie details

Gimme Shelter

“The music that thrilled the world… and the killing that stunned it!”

1970 Documentary · Music 1h 32m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gimme Shelter?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Last Waltz

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Names above the title

The people responsible.

Directed by

Albert Maysles · Charlotte Zwerin · David Maysles

Mick Jagger

Mick Jagger

Self - The Rolling Stones Member

Charlie Watts

Charlie Watts

Self - The Rolling Stones Member

Keith Richards

Keith Richards

Self - The Rolling Stones Member

M

Mick Taylor

Self - The Rolling Stones Member

Bill Wyman

Bill Wyman

Self - The Rolling Stones Member

Marty Balin

Marty Balin

Self

S

Sonny Barger

Self

Court is in session

Put Gimme Shelter on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.