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We Will Rock You

We Will Rock You

Music · 1982

In November 1981, and with “Under Pressure” topping the charts in the UK, Queen performed a blistering set of hits – including "We Will Rock You" and "Bohemian Rhapsody" – in front of an 18,000-strong crowd at Montreal's Forum, in this stunning concert film.

Movie details

We Will Rock You

1982 Music 1h 35m

Critical arithmetic

One number, for now.

TMDB

8.1 / 10

Community rating

In November 1981, and with “Under Pressure” topping the charts in the UK, Queen performed a blistering set of hits – including "We Will Rock You" and "Bohemian Rhapsody" – in front of an 18,000-strong crowd at Montreal's Forum, in this stunning concert film.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over We Will Rock You?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

AC/DC: Live at River Plate

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The best of Led Zeppelin's legendary 1973 appearances at Madison Square Garden. Interspersed throughout the concert footage are behind-the-scenes moments with the band. The Song Remains the Same is Led Zeppelin at Madison Square Garden in NYC concert footage colorfully enhanced by sequences which are supposed to reflect each band member's individual fantasies and hallucinations. Includes blistering live renditions of "Black Dog," "Dazed and Confused," "Stairway to Heaven," "Whole Lotta Love," "The Song Remains the Same," and "Rain Song" among others.

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Featuring never before seen footage uncovered from the archives and interviews with Paul McCartney, Tommy Lee and others, God Bless Ozzy Osbourne is the first documentary to take viewers inside the complex mind of rock's great icon.

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Names above the title

The people responsible.

Directed by

Saul Swimmer

Freddie Mercury

Freddie Mercury

Self

Roger Taylor

Roger Taylor

Self

John Deacon

John Deacon

Self

Brian May

Brian May

Self

Court is in session

Put We Will Rock You on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.