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Mr. Baseball

Mr. Baseball

Comedy · 1992

Jack Elliot, a one-time MVP for the New York Yankees is now on the down side of his baseball career. With a falling batting average, does he have one good year left and can the manager of the Chunichi Dragons, a Japanese Central baseball league find it in him?

Movie details

Mr. Baseball

“He's the biggest thing to hit Japan since Godzilla!”

1992 Comedy 1h 48m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Jack Elliot, a one-time MVP for the New York Yankees is now on the down side of his baseball career. With a falling batting average, does he have one good year left and can the manager of the Chunichi Dragons, a Japanese Central baseball league find it in him?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mr. Baseball?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Fred Schepisi

Written by

Theo Pelletier · John Junkerman · Gary Ross · Kevin Wade

Tom Selleck

Tom Selleck

Jack Elliot

Ken Takakura

Ken Takakura

Uchiyama

Aya Takanashi

Aya Takanashi

Hiroko Uchiyama

T

Toshi Shioya

Yoji Nishimura

Dennis Haysbert

Dennis Haysbert

Max 'Hammer' Dubois

Art LaFleur

Art LaFleur

Skip

N

Nicholas Cascone

Doc

Court is in session

Put Mr. Baseball on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.