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Wet Hot American Summer

Wet Hot American Summer

Comedy · 2001

It's the last day of Camp Firewood's season, but there's still time for the big talent show, a little romance… and for everyone to be wiped out by the piece of NASA's Skylab that's hurtling toward Earth.

Movie details

Wet Hot American Summer

“High times. Hard bodies. Soft rock.”

2001 Comedy 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

It's the last day of Camp Firewood's season, but there's still time for the big talent show, a little romance… and for everyone to be wiped out by the piece of NASA's Skylab that's hurtling toward Earth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Wet Hot American Summer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The TV Set

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Jimmy Carr refutes the idea that you can't joke about anything these days with his edgy takes on gun control, religion, cancel culture and consent.

The Hangover Part III

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This time, there's no wedding. No bachelor party. What could go wrong, right? But when the Wolfpack hits the road, all bets are off.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

David Wain

Written by

Michael Showalter · David Wain

Janeane Garofalo

Janeane Garofalo

Beth

David Hyde Pierce

David Hyde Pierce

Henry

Michael Showalter

Michael Showalter

Coop / Alan Shemper

Marguerite Moreau

Marguerite Moreau

Katie

Paul Rudd

Paul Rudd

Andy

Zak Orth

Zak Orth

J.J.

Christopher Meloni

Christopher Meloni

Gene

Court is in session

Put Wet Hot American Summer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.