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A Clockwork Orange

A Clockwork Orange

Science Fiction · Crime · 1971

In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?

Movie details

A Clockwork Orange

“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”

1971 Science Fiction · Crime 2h 17m

Critical arithmetic

One number, for now.

TMDB

8.2 / 10

Community rating

In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Clockwork Orange?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Stanley Kubrick

Written by

Stanley Kubrick

Malcolm McDowell

Malcolm McDowell

Alex

Patrick Magee

Patrick Magee

Mr. Alexander

Carl Duering

Carl Duering

Dr. Brodsky

Michael Bates

Michael Bates

Chief Guard

Warren Clarke

Warren Clarke

Dim

James Marcus

James Marcus

Georgie

Michael Tarn

Michael Tarn

Pete

Court is in session

Put A Clockwork Orange on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.