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50 First Dates

50 First Dates

Comedy · Romance · 2004

Henry is a player skilled at seducing women. But when this veterinarian meets Lucy, a girl with a quirky problem when it comes to total recall, he realizes it's possible to fall in love all over again…and again, and again. That's because the delightful Lucy has no short-term memory, so Henry must woo her day after day until he finally sweeps her off her feet.

Movie details

50 First Dates

“Imagine having to win over the girl of your dreams... every friggin' day.”

2004 Comedy · Romance 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Henry is a player skilled at seducing women. But when this veterinarian meets Lucy, a girl with a quirky problem when it comes to total recall, he realizes it's possible to fall in love all over again…and again, and again. That's because the delightful Lucy has no short-term memory, so Henry must woo her day after day until he finally sweeps her off her feet.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 50 First Dates?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Peter Segal

Written by

George Wing

Adam Sandler

Adam Sandler

Henry Roth

Drew Barrymore

Drew Barrymore

Lucy Whitmore

Rob Schneider

Rob Schneider

Ula

Sean Astin

Sean Astin

Doug Whitmore

Lusia Strus

Lusia Strus

Alexa

Dan Aykroyd

Dan Aykroyd

Dr. Keats

Amy Hill

Amy Hill

Sue

Court is in session

Put 50 First Dates on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.