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The Sentinel

The Sentinel

Horror · Mystery · Fantasy · 1977

As a young girl, Alison Parker attempted suicide after being traumatized by her father's sexual exploits. Now an elite fashion model, she moves to a Brooklyn Heights apartment building where she encounters a number of bizarre, eccentric tenants and attempts to uncover the building's sinister secret.

Movie details

The Sentinel

“She was young. She was beautiful. She was the next.”

1977 Horror · Mystery · Fantasy 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

As a young girl, Alison Parker attempted suicide after being traumatized by her father's sexual exploits. Now an elite fashion model, she moves to a Brooklyn Heights apartment building where she encounters a number of bizarre, eccentric tenants and attempts to uncover the building's sinister secret.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Sentinel?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Michael Winner

Written by

Michael Winner · Jeffrey Konvitz

Cristina Raines

Cristina Raines

Alison Parker

Chris Sarandon

Chris Sarandon

Michael Lerman

Martin Balsam

Martin Balsam

Prof. Ruzinsky

John Carradine

John Carradine

Fr. Francis Matthew Halloran

José Ferrer

José Ferrer

Priest of the Brotherhood

Ava Gardner

Ava Gardner

Helen Logan

Arthur Kennedy

Arthur Kennedy

Monsignor Franchino

Court is in session

Put The Sentinel on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.